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Creative Destruction
Creative Destruction
Creative Destruction
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Overview

Whether applied to economies, ideas, systems, or politics — this model describes how something new and transformative can both be born from, ...

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Et ille ridens: Age, age, inquit,-satis enim scite me nostri sermonis principium esse voluisti-exponamus adolescenti,. Si verbum sequimur, primum longius verbum praepositum quam bonum. Duo Reges: constructio interrete. Ea, quae dialectici nunc tradunt et docent, nonne ab illis instituta sunt aut inventa sunt? An eum discere ea mavis, quae cum plane perdidiceriti nihil sciat?

Hanc ergo intuens debet institutum illud quasi signum absolvere. Nummus in Croesi divitiis obscuratur, pars est tamen divitiarum. Quae cum dixisset, finem ille. Graecum enim hunc versum nostis omnes-: Suavis laborum est praeteritorum memoria. Sed eum qui audiebant, quoad poterant, defendebant sententiam suam. Primum quid tu dicis breve? Qui autem diffidet perpetuitati bonorum suorum, timeat necesse est, ne aliquando amissis illis sit miser.

Ac tamen, ne cui loco non videatur esse responsum, pauca etiam nunc dicam ad reliquam orationem tuam. Satis est tibi in te, satis in legibus, satis in mediocribus amicitiis praesidii. Expectoque quid ad id, quod quaerebam, respondeas. Quae cum magnifice primo dici viderentur, considerata minus probabantur. Dicam, inquam, et quidem discendi causa magis, quam quo te aut Epicurum reprehensum velim. Ut proverbia non nulla veriora sint quam vestra dogmata.

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Actionable Takeaways
  • Work with the impact of digital disruption accelerating creative destruction.

The accelerated rate of cr ...

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Piso igitur hoc modo, vir optimus tuique, ut scis, amantissimus. Eam tum adesse, cum dolor omnis absit; Quos nisi redarguimus, omnis virtus, omne decus, omnis vera laus deserenda est. Nec vero alia sunt quaerenda contra Carneadeam illam sententiam. Apparet statim, quae sint officia, quae actiones. Duo Reges: constructio interrete. Deprehensus omnem poenam contemnet. Id enim volumus, id contendimus, ut officii fructus sit ipsum officium.

Huius ego nunc auctoritatem sequens idem faciam. Teneo, inquit, finem illi videri nihil dolere. Quid enim me prohiberet Epicureum esse, si probarem, quae ille diceret? Faceres tu quidem, Torquate, haec omnia; Etenim si delectamur, cum scribimus, quis est tam invidus, qui ab eo nos abducat? Zenonis est, inquam, hoc Stoici. Quae rursus dum sibi evelli ex ordine nolunt, horridiores evadunt, asperiores, duriores et oratione et moribus. Aut unde est hoc contritum vetustate proverbium: quicum in tenebris? Scaevola tribunus plebis ferret ad plebem vellentne de ea re quaeri.

Quamquam ab iis philosophiam et omnes ingenuas disciplinas habemus; Aut unde est hoc contritum vetustate proverbium: quicum in tenebris? Itaque sensibus rationem adiunxit et ratione effecta sensus non reliquit. Itaque his sapiens semper vacabit. Nam nec vir bonus ac iustus haberi debet qui, ne malum habeat, abstinet se ab iniuria. Quid iudicant sensus? Nos vero, inquit ille; Non enim iam stirpis bonum quaeret, sed animalis.

Limitations

Creative Destruction in a free market context assumes that the market drives great practice solutions. Some critics might argue that instead, it drives better sales and profits, which is not always associated with high-quality products and services, or people’s needs being met more effectively. 

Another criticism of this model is the contrast with models such as compounding, and the power of marginal gains as opposed to complete destruction and reinvention. 

And finally, the model is sometimes used to justify the existence of global tech monopolies. Schumpeter argued that organisations grow to monopolies because they do what they do well - so a true embrace of more purist free-market ideas which I would argue is problematic.

In Practice

Illinois Railroads.

Joseph Schumpeter, the originator of the term, cited the development of railroads in Illinois as an example of creative destruction. He explained: “The Illinois Central not only meant very good business whilst it was built and whilst new cities were built around it and land was cultivated, but it spelt the death sentence for the [old] agriculture of the West."

The rise of Silicon Valley

This New York Times article notes the popularity of this model to explain current economic trends impacted by digital disruption: “Schumpeter's theory and phraseology have become mainstream today for describing the current era, in which new-economy companies are being created at an astounding rate. No less an establishment figure as Alan Greenspan, chairman of the U.S. Federal Reserve Board and a Harvard-trained economist, has been using Schumpeterian economics to explain the remarkable noninflationary expansion in the United States over the past eight years.”

Greenspan went on to outline the impact of key innovations, from the microprocessor, lasers, fibre optics and particularly the role of information technology.

Build your latticework
This model will help you to:

The creative destruction mental model is similar to the concept of disruptive innovation, in the way new approaches can replace and make previous ones obsolete. 

Use the following examples of connected and complementary models to weave creative destruction into your broader latticework of mental models. Alternatively, discover your own connections by exploring the category list above. 

 

Connected models: 

  • Red queen effect: in understanding the perpetual drive to be smart and disrupt.
  • Disruptive innovation: in changing the game. 

Complementary models: 

  • Compounding: contrasting, in many ways opposite mental models, that benefit from being contrasted with one another. 
  • Design thinking and agile methodology: methods to seek out those new disruptive ideas. 
  • Scientific method: as a methodology to strive towards a greater understanding of the truth, relying on creative destruction of theories in some instances. 
  • Munger’s latticework: when applied to the development and unlearning of mental models.
Origins & Resources

Creative Disruption was coined by Austrian economist Joseph Schumpeter in 1942, deriving it from the work of Karl Marx, who pointed to the destructive nature of progressive social systems which he argued would eventually lead to socialism replacing capitalism.  

In his 1942 book, Capitalism, Socialism and Democracy, Schumpeter explained: “the process of industrial mutation that continuously revolutionizes the economic structure from within, incessantly destroying the old one, incessantly creating a new one.” 

It is ironic that this term, now associated with pointing to the benefits and resilience of free-market systems, was originally described as an inherent contradiction within capitalism, that would lead to its downfall.

My Notes

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